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Shooting up to 10,000 thirsty camels from helicopters, just because they drink large amounts of water, is called slaughter, if you ask me.
OverpopulaShooting up to 10,000 thirsty camels from helicopters, just because they drink large amounts of water, is called slaughter, if you ask me.
Overpopulation of one specie, can be a huge problem that many countries worldwide need to fix, but only by regulating the animals populations, through proper management and control methods. Ethically speaking, the latter must be humane and consistent with legislation relating to animal protection and control. So, all these aggressive killings of defenceless animals, is definitely not the solution to the problem. These animals will breed up again in a few years time. And whats next? More killings? More ...
This is a tough problem. They have no natural predators in Australia and without culling, their numbers will grow exponentially into the millions andThis is a tough problem. They have no natural predators in Australia and without culling, their numbers will grow exponentially into the millions and devastate ecological communities and Aboriginal settlements. We introduced camels and I’d say we have a responsibility to keep their numbers in check. The method is cruel but there’s very little funding for these communities and aerial shooting is the most cost effective. How many species will go extinct if we do nothing? More ...
Wildlife conservation is so important in these changing times. I would like to offer a glimmer of light and hope in...
Wildlife conservation is so important in these changing times. I would like to offer a glimmer of light and hope in what appears to be a helpless situation.
What if plastic could be integrated into sea life? The Beauty directed by Pascal Schelbli is a poetic journey...
What if plastic could be integrated into sea life? The Beauty directed by Pascal Schelbli is a poetic journey through the oceans, which are simultaneously stunning and filthy. Discover a world where concerns and fears dissolve into the mysterious depth of the polluted blue sea.
Crew
Director: Pascal Schelbli
VFX Supervisor: Marc Angele
Producers: Aleksandra Todorovic, Tina Vest
Underwater Cinematography: David Iskender Dinçer
Creature TD: Noel Winzen
Lead TD: Lukas Gotkowski
Animation: Noel Winzen, Pascal Schelbli
Lead Rigging: Noel Winzen
Rigging: Lukas Gotkowski · Seyed Ahmad Hosseini
Modeling: Pascal Schelbli, Fynn Große-Bley, Noel Winzen
Additional Modeling: Paul Golter, Mitja Öhm
Lead Sculpting: Fynn Große-Bley
Sculpting: Noel Winzen, Pascal Schelbli
Texturing: Marc Angele, Pascal Schelbli
Lighting/Shading: Marc Angele
FX/Simulation: Lukas Gotkowski, Noel Winzen, Tim Markgraf
Compositing: Marc Angele, Pascal Schelbli
Pipeline: Marc Angele
Storyboard/Animatic/Previs/Character Design: Pascal Schelbli
Editing: Pascal Schelbli
Additional Editing: Daniela Schramm Moura
Music: Alexander Wolf David, Petteri Sainio
Orchestration & Additional Composer: Meike Katrin Stein
Orchestra: Deutsches Filmorchester Babelsberg
Sound Design & Mixing: Robin Harff
Director, writer, animator: Soetkin Verstegen
Sound: Andrea Martignoni, Michał Krajczok
With the support of
Akademie...
Director, writer, animator: Soetkin Verstegen
Sound: Andrea Martignoni, Michał Krajczok
With the support of
Akademie Schloss Solitude, Germany
Saari Residency - Kone Foundation, Finland
Atelier 105 residency - Light Cone, France
2019
Awards:
Clermont-Ferrand International Short Film Festival, France, 2020 - Special Jury Prize Lab
Ann Arbor Film Festival, USA, 2020 - Chris Frayne Award for Best Animated Film
Annecy International Animated Film Festival, France 2020 - Jury Distinction
Fantoche International Animation Festival, Switzerland, 2020 - High Risk Award
Animafest Zagreb, Croatia, 2020 - Golden Zagreb Award
Fredrikstad Animation Festival, Noway, 2020 - Grand Prix
Banjaluka International Animated Film Festival, Bosnia, 2020 - Grand Prix
Monstra Animation Festival, Portugal, 2020 - Grand Prix
Warsaw International Animation Festival, Poland, 2020 - Grand Prix
Golden Kuker Sofia, Bulgaria, 2020 - Grand Prix
Supertoon International Animation Festival, Croatia, 2020 - Grand Prix
Black Maria Film Festival, USA, 2020 - Best Animation
Bamberger Kurzfilmtage, Germany, 2020 - Best Animation
Animakom Bilbao, Spain, 2020 - Jury's Special Award
Filmzeitkaufbeuren, Germany, 2020 - Innovationspreis
Toronto Arthouse Film Festival, Canada, 2020 - Best Animated Short Film
Shorts that are not pants, Canada, 2020 - Best Animated Short
Featured on:
Short of the Week:
https://www.shortoftheweek.com/2020/12/29/freeze-frame/
Booooooom:
https://tv.booooooom.com/2021/01/06/freeze-frame-soetkin-verstegen
Colossal:
https://www.thisiscolossal.com/2020/12/freeze-frame-soetkin-verstegen/
Stash:
https://www.stashmedia.tv/soetkin-verstegen-animates-stop-motion-ice-in-freeze-frame-short-film/
Schlosspost:
https://schloss-post.com/freeze-frame/
Animation week:
https://animation-week.com/freeze-frame/
Testkammer:
https://testkammer.com/2020/12/18/freeze-frame-2019/
OverpopulaShooting up to 10,000 thirsty camels from helicopters, just because they drink large amounts of water, is called slaughter, if you ask me.
Overpopulation of one specie, can be a huge problem that many countries worldwide need to fix, but only by regulating the animals populations, through proper management and control methods. Ethically speaking, the latter must be humane and consistent with legislation relating to animal protection and control. So, all these aggressive killings of defenceless animals, is definitely not the solution to the problem. These animals will breed up again in a few years time. And whats next? More killings? More ...